Sherlock Holmes Museum, London
See more posts like this on Tumblr
#cate blanchett #wow i'm gayMore you might like
“I wanted to challenge politically the kissing scene, which traditionally either has the surprise kiss scene thanks to a rain shower for instance, or the obvious kiss scene thanks to mustard on the corner of the lips, for instance, and it is generally carefully scripted as ‘They kiss.’ Or ‘They passionately kiss.’ And then it’s on the actors’ shoulders. It seems to rely a lot on them because it’s their bodies and fluids and interaction, but it shouldn’t be. It’s fake. It’s not about finding the magic. Actors should always be part of the elaboration of an idea, especially with intimate scenes. So I wanted to craft a scene that would embody the sexiness of consent. People who are questioning the idea of asking for consent in France, they do exist. They are brave fighters for the culture of French gallantry who say that asking for consent would not be sexy, it will break the mood. Some of the French critics thought the film lacked flesh, precisely because to them eroticism is about conflict. […] At some point I came up with the idea of them having to unveil their mouths like they would undress themselves. So I put a scarf, justified by a strong wind, pressed on their lips and thinking you would see their heavy breathing through the moving cloth.”
Céline Sciamma on creating a new first kiss
wearing green is gay culture
this may sound like a shitpost but in the 19th century green carnations were a sign of being gay AND in ancient rome, yellowish-green clothing was a sign that a man was effeminate and therefore probably gay, so green is a gay color and only gay people can wear it now
i hope henry cavill plays the dumbest sluttiest version of sherlock holmes we’ve ever seen
Women of Amphissa, 1887, by Lawrence Alma-Tadema (1836-1912).
Here Lawrence Alma-Tadema depicts a scene from a story told by Plutarch. The women sprawled on the ground are followers of Dionysus, the God of wine, and are seen recovering from a dancing ritual from the night before. These women originated from the city of Phocis, and had wandered into the marketplace of Amphissa. These two cities, however, were at war. The group lined at the back, clearly separated from their way of dress and posture, belong to Amphissa. Recognizing the danger the disoriented followers were in, the women of Amphissa form a circle around them, offering their protection and giving them food.
By representing these two very different groups of women, Alma-Tadema touches on the themes of femininity, compassion, and charity.
“As to my companion neither the country nor the sea presented the slightest attraction to him. He loved to lie in the very centre of five millions of people, with his filaments stretching out and running through them, responsive to every little rumor or suspicion of unsolved crime.”
An extract of Arthur Conan Doyle’s handwriting from the manuscript of The Resident Patient.